Tuesday, April 2, 2013

An inside look at carnivorous plants

Apr. 2, 2013 ? When we imagine drama playing out between predators and prey, most of us picture stealthy lions and restless gazelle, or a sharp-taloned hawk latched on to an unlucky squirrel. But Ben Baiser, a post-doctoral fellow at the Harvard Forest and lead author of a new study in Oikos, thinks on a more local scale. His inter-species drama plays out in the humble bogs and fens of eastern North America, home to the carnivorous pitcher plant, Sarracenia purpurea. "It's shocking, the complex world you can find inside one little pitcher plant," says Baiser.

A pitcher plant's work seems simple: their tube-shaped leaves catch and hold rainwater, which drowns the ants, beetles, and flies that stumble in.

But the rainwater inside a pitcher plant is not just a malevolent dunking pool. It also hosts a complex system of aquatic life, including wriggling mosquito, flesh fly, and midge larvae; mites; rotifers; copepods; nematodes; and multicellular algae. These tiny organisms are crucial to the pitcher plant's ability to process food. They create what scientists call a 'processing chain': when a bug drowns in the pitcher's rainwater, midge larvae swim up and shred it to smaller pieces, bacteria eat the shredded pieces, rotifers eat the bacteria, and the pitcher plant absorbs the rotifers' waste.

But that's not the whole story. Fly larvae are also eating the rotifers, midge larvae, and each other, and everybody eats bacteria. It's a complex food web that shifts on the order of seconds.

Aaron Ellison, a co-author on the new study and senior ecologist at the Harvard Forest, says the pitcher plant food web is an ideal model for understanding larger food webs -- with top predators like wolves -- that change over a longer period of time. He points out, "With pitcher plants, you can hold the whole food web in your hand. The vast number of pitcher plants in one bog provide endless opportunities for detailed experiments on how food webs work, not only in pitcher plants, but also in bigger ecosystems that are harder to manipulate, like ponds, lakes, or oceans."

With funding from the National Science Foundation, the research team traveled to bogs in British Columbia, Quebec City, and Georgia -- the full extent of the plant's range -- to analyze the aquatic food webs from 60 pitcher plants. They found 35 different types of organisms inside, with a large contingent of bacteria counting as just one type. Then, says Baiser, "We wanted to know: how did we get different food webs in individual pitchers from the same species pool? What caused these food webs to form the way they did?"

A few well-established scientific models predict how food webs form based on a ranked system of ecosystem factors. For the Oikos study, Baiser and his team checked their real-world observations against those models. He explains: "Say you've got a bunch of lakes. And you've got a big bucket holding all the species that can live in those lakes. When you dump out the bucket, which creatures end up in which lake? What matters more: the size of the lake, or the fact that predator species X is there, too? Or is it random? Those models help us tease those factors apart."

According to the Oikos study, the way pitcher plant food webs assemble is not random. In fact, it seems the predator-prey interactions are of key importance. "You take out one species, and that affects everything else," says Baiser.

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Story Source:

The above story is reprinted from materials provided by Harvard University.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. Benjamin Baiser, Hannah L. Buckley, Nicholas J. Gotelli, Aaron M. Ellison. Predicting food-web structure with metacommunity models. Oikos, 2013; 122 (4): 492 DOI: 10.1111/j.1600-0706.2012.00005.x

Note: If no author is given, the source is cited instead.

Disclaimer: Views expressed in this article do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/top_news/top_environment/~3/2cXLa5Hc0hY/130402182653.htm

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The CEO Who Sold Draw Something For $183 ... - Business Insider

A year after Dan Porter sold OMGPOP for $183 million to Zynga, he's out of the company.

Zynga bought OMGPOP after its social drawing game "Draw Something" went viral.

At the time, Zynga was getting hammered for having whiffed on mobile gaming. Draw Something was one of the most popular mobile games. The hope was that Draw Something would lift Zynga's mobile portfolio.

Plus, it was reportedly generating decent revenues. There were reports it was doing $250,000 in sales per day as people paid for new color palettes, and other upgrades in the game.

However, shortly after Zynga bought OMGPOP, Draw Something's popularity fell off.

Along the way, Zynga's stock cratered. Zynga's stock at the time of the deal was at $13.71. Today it's at $3.10.

In October, Zynga announced that it was taking a write down between $85 million and $95 million on Draw Something.

Porter is one of the more outspoken people in technology. Last month, speaking on a panel, he said, "Zynga is often accused of copying games, which is mostly true." He then apologized to everyone in the company for that comment.

Presumably, Porter had a one-year contract to stick at Zynga. Now that it's been a year, he'll probably go looking for the next challenge.

Source: http://www.businessinsider.com/omgpop-ceo-dan-porter-is-out-at-zynga-2013-4

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G.I. Joe seizes No. 1 spot at box office

LOS ANGELES, Calif. - After a nine-month delay, "G.I. Joe: Retaliation" deployed to the top spot at the box office.

The action film starring Dwayne "The Rock" Johnson, Bruce Willis and Channing Tatum as the gun-toting military toys brought to life marched into the No. 1 position at the weekend box office, earning $41.2 million, according to studio estimates Sunday. "Retaliation" opened Wednesday at midnight, which helped bring its domestic total to $51.7 million.

Paramount postponed the sequel to 2009's "G.I. Joe: Rise of Cobra" last May from its original June opening date to convert the film to 3-D. The last-minute switcheroo came just weeks after "Battleship," another movie based on a Hasbro toy, sank at the box office. At that time, Paramount already began its advertising campaign for "Retaliation."

"It certainly vindicates the decision," said Don Harris, the studio's head of distribution. "Any time you make those sorts of moves, people always assume the worst. The truth is I'd seen this movie a long time ago in 2-D, and the movie worked in 2-D. It's not trying to be 'Schindler's List.' This movie is intended to be enjoyed as a big, action spectacle."

Internationally, Harris said "Retaliation" earned $80.3 million, making it the biggest international opening of the year. The film opened in 53 markets outside of the U.S. and Canada, including Russia, South Korea and Mexico.

After debuting in the top spot last weekend, the 3-D animated prehistoric comedy "The Croods" from DreamWorks Animation and 20th Century Fox slipped to the No. 2 spot with $26.5 million in its second weekend. The film features the voices of Nicolas Cage, Emma Stone and Catherine Keener as a cave family on the hunt for a new home.

Among the other new films this weekend, "Tyler Perry's Temptation" starring Jurnee Smollett-Bell and Lance Gross opened above expectations at No. 3 with $22.3 million, while the sci-fi adaptation "The Host" featuring Saoirse Ronan, Max Irons, and Jake Abel as characters from the Stephenie Meyer novel landed at No. 6 in its debut weekend with a modest $11 million.

Overall, the weekend box office was on par with last year when "The Hunger Games" continued to dominate in its second weekend of release with $58.5 million. After a slow start, Hollywood's year-to-date revenues are still 12 per cent behind last year, heading into next month when summer movie season unofficially kicks off with "Iron Man 3" on May 3.

"It's getting us back on track after many weekends of down trending box office," said Paul Dergarabedian, box office analyst for Hollywood.com. "Last weekend was a turning point with the strength of 'The Croods' and 'Olympus Has Fallen' doing better than expected. We're heading toward the summer movie season on solid footing. It's been a tough year so far."

Estimated ticket sales for Friday through Sunday at U.S. and Canadian theatres, according to Hollywood.com. Where available, latest international numbers are included. Final domestic figures will be released Monday.

1. "G.I. Joe: Retaliation," $41.2 million ($80.3 million international).

2. "The Croods," $26.5 million ($52.5 million international).

3. "Tyler Perry's Temptation," $22.3 million.

4. "Olympus Has Fallen," $14 million.

5. "Oz the Great and Powerful," $11.6 million ($22.2 million international).

6. "The Host," $11 million ($6 million international).

7. "The Call," $4.8 million.

8. "Admission," $3.2 million.

9. "Spring Breakers," $2.7 million.

10. "The Incredible Burt Wonderstone," $1.3 million.

___

Estimated weekend ticket sales at international theatres (excluding the U.S. and Canada) for films distributed overseas by Hollywood studios, according to Rentrak:

1. "G.I. Joe: Retaliation," $80.3 million.

2. "The Croods," $52.5 million.

3. "Jack the Giant Slayer," $25.2 million.

4. "Oz the Great and Powerful," $22.2 million.

5. "Dragon Ball Z: Kami to Kami," $7 million.

6. "The Host," $6 million.

7. "Identity Thief," $5.5 million.

8. "Wreck-It Ralph," $4 million.

9. "A Good Day to Die Hard," $3.6 million.

10. "Hansel and Gretel: Witch Hunters," $3.3 million.

___

Online:

http://www.hollywood.com

http://www.rentrak.com

___

Universal and Focus are owned by NBC Universal, a unit of Comcast Corp.; Sony, Columbia, Sony Screen Gems and Sony Pictures Classics are units of Sony Corp.; Paramount is owned by Viacom Inc.; Disney, Pixar and Marvel are owned by The Walt Disney Co.; Miramax is owned by Filmyard Holdings LLC; 20th Century Fox and Fox Searchlight are owned by News Corp.; Warner Bros. and New Line are units of Time Warner Inc.; MGM is owned by a group of former creditors including Highland Capital, Anchorage Advisors and Carl Icahn; Lionsgate is owned by Lions Gate Entertainment Corp.; IFC is owned by AMC Networks Inc.; Rogue is owned by Relativity Media LLC.

___

Follow AP Entertainment Writer Derrik J. Lang on Twitter at http://www.twitter.com/derrikjlang.

Source: http://www.montrealgazette.com/entertainment/movie-guide/Retaliation+commands+position+office+with/8177488/story.html

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Luxury Real Estate Marketing: Great Marketing is Matchmaking ...

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Source: http://newsgeni.us/?p=107395

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Massive prehistoric bird extinction linked to human colonization

Apr. 1, 2013 ? Research by a University of Tennessee, Knoxville professor has found that about a thousand bird species became extinct following human colonization.

Research by Alison Boyer, a research assistant professor in ecology and evolutionary biology, and an international team studied the extinction rates of nonperching land birds in the Pacific Islands from 700 to 3,500 years ago. Some of the birds studied included birds of prey and ducks. The team uncovered the magnitude of the extinctions and insight into how and why human impacts varied across the region.

The findings are published in the current issue of the Proceedings of the National Academy of Sciences.

Scientists had long known extinction rates were high but estimates varied from 800 to 2,000 species due to an incomplete fossil record on the islands. The researchers used fossil records from 41 Pacific islands such as Hawaii and Fiji to run an analytical technique called the Bayesian mark-recapture method. This allowed them to model gaps in the fossil record for more than 300 Pacific islands and estimate the number of unknown extinct species.

"We used information on what species are currently on the islands and what species are in the fossil record to estimate the probability of finding a species in the fossil record," Boyer said.

Boyer and her colleagues found that nearly 983, or two-thirds, of land bird populations disappeared between the years of the first human arrival and European colonization. Disappearances are linked to overhunting by people, forest clearance and introduced species.

"We calculate that human colonization of remote Pacific islands caused the global extinction of close to a thousand species of nonperching land birds alone," said Boyer. "However, it is likely there are more species that were affected by human presence. Sea bird and perching bird extinctions will add to this total."

Researchers found the extinction rates differed depending on island and species characteristics. For example, larger islands had lower rates of extinction because they had larger populations of each bird species. Islands with more rainfall also had lower extinction rates because they experienced less deforestation by settlers. Bird species that were flightless and large-bodied had a higher rate of extinction because they were easier and more profitable to hunt and their lower rates of population growth inhibited recovery from overhunting or habitat loss.

"Flightless species were 33 times more likely to go extinct than those that could fly," said Boyer. "Also, species that only populated a single island were 24 more times likely to go extinct than widespread species."

Boyer collaborated with researchers from the University of Canberra in Australia, Institute of Zoology in London and King Saud University in Saudi Arabia.

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Story Source:

The above story is reprinted from materials provided by University of Tennessee at Knoxville, via EurekAlert!, a service of AAAS.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.


Journal Reference:

  1. R. P. Duncan, A. G. Boyer, T. M. Blackburn. Magnitude and variation of prehistoric bird extinctions in the Pacific. Proceedings of the National Academy of Sciences, 2013; DOI: 10.1073/pnas.1216511110

Note: If no author is given, the source is cited instead.

Disclaimer: Views expressed in this article do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/~3/l47cmMdHBDc/130401111640.htm

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Percolate Partners With Getty Images And Aviary To Help Companies Create And Share Images

percolate-logoPercolate, a startup that helps clients create and share content, is taking a big step in what co-founder James Gross calls the company's "visual strategy." Obviously, images are a big part of what businesses want to share on social media. And they could do that sharing through Percolate already, but the service didn't include many significant features to make the process easier. That's changing today, with the launch of integrations with Getty Images and Aviary.

Source: http://feedproxy.google.com/~r/Techcrunch/~3/RcaRcK9MjTA/

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Monday, April 1, 2013

Infosys shares gain on Q4 earnings optimism

As per usual, Google put out various, elaborate April Fools Day jokes, which only reminded everyone how much time and money the tech company has to spend on projects that aren't core products like, ahem, Google Reader.?For those too busy to follow along, The Next Web has a running list of the myriad pranks. And while some of the antics, like the pirate treasure map,?are harmless and cute, others hit too close to home.

Source: http://news.yahoo.com/infosys-shares-gain-q4-earnings-optimism-123814464--finance.html

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